From 15 July to 3 October, Cortona On The Move 2021 is back, an edition entirely dedicated to man, what he tried and feels after the global upheaval due to Covid19. Stories will be told that speak of the human essence, of our existence, of what it was for all of us to lose and regain physical contact with the people most dear to us. Stories will be treated in which the human being is the protagonist, in his daily life, with his emotions and values, his genius and defects. Let\u2019s re-evaluate the extraordinary nature of things that were previously ordinary for us, almost banal \u2026 a hug, a smile, a \u201cHow are you?\u201d asked sincerely. We look nostalgically at a world that was there, but with the hope of a planet richer in love and passion for all those things that the pandemic has taken away from us for more than a year. A world full of future prospects, courage and strength! Without ever forgetting that our actions are part of a great global mechanism, a game of causes and effects, a network of inevitable connections. For better or for worse.<\/p>\n
The exhibitions ofCortona On The Move 2021<\/strong><\/h3>\nPaolo Pellegrin \u2013 L\u2019Altro<\/h5>\n
Fortezza del Girifalco<\/strong><\/em><\/p>\nL\u2019Altro is a developed work that reflects on the effects of the new coronavirus and social distancing.
\nPaolo Pellegrin, is an Italian photojournalist known worldwide. Since 2005 he has been a member of the Magnum Photos agency.<\/p>\n
Alec Soth \u2013 I Know How Furiously Your Heart is Beating<\/h5>\n
Fortezza del Girifalco<\/strong><\/em><\/p>\nAlec Soth\u2019s latest work is a poetic exploration of the limits of photographic representation and shows a new approach by the Magnum photographer to the subjects portrayed. The images, shot in color and in large format, were taken all over the world, but do not concern any particular place or population.
\nAlec Soth, is a photographer who lives in Minneapolis (USA), and is a member of the Magnum Photos agency. He has published over twenty-five books.<\/p>\n
Aleksi Poutanen \u2013 Fellow Creatures<\/h5>\n
Fortezza del Girifalco<\/strong><\/em><\/p>\nFinns have a special relationship with nature and people accustomed to sharing their daily life with domestic and wild animals have kept a special relationship with their \u201cfriends\u201d. This series shows the unique form of coexistence that occurs in Finland between humans and animals.
\nAleksi Poutanen, is a commercial and documentary photographer based in Helsinki, Finland. In his works she has a playful and surprising approach.<\/p>\n
Archivio Publifoto Intesa Sanpaolo \u2013 Come saremo. L\u2019Italia che ricostruisce<\/h5>\n
Fortezza del Girifalco<\/strong><\/em><\/p>\nCurated by Arianna Rinaldo
\nScientific supervision: Barbara Costa
\nIconographic research: Maura Dettoni with Serena Berno and Silvia Cerri<\/p>\n
Come saremo \u2013 L\u2019Italia che ricostruisce offers a selection of photographs from the Intesa Sanpaolo Publifoto Archive edited by Arianna Rinaldo, artistic director of the festival, under the scientific supervision of Barbara Costa, head of the Intesa Sanpaolo Historical Archive. A dialogue in images that tells the rebirth of Italy after World War II, suggesting a parallelism with the post-pandemic situation we live today. A tale of optimism and hope.<\/p>\n
Catherine Panebianco \u2013 No Memory Is Ever Alone<\/h5>\n
Fortezza del Girifalco<\/strong><\/em><\/p>\nNo Memory Is Ever Alone is a project that reflects on family memory and the concept of \u2018home\u2019. Catherine Panebianco superimposes the slides taken by her father with current photographs. With this gesture, the photographer establishes a connection between her family\u2019s past and her present, thus creating a place within a place, a memory within a memory.
\nCatherine Panebianco, is an artist living in Jamestown, NY. With her work he captures memories and searches for the spirits of those we love.<\/p>\n
Deanna Dikeman \u2013 Leaving and Waving<\/h5>\n
Fortezza del Girifalco<\/strong><\/em><\/p>\nThe Leaving and Waving series is about family, aging and the pain of saying goodbye. For twenty-seven years Deanna took pictures while she greeted her parents before setting off again. Since 1991, she has continued to do so on every departure.
\nDeanna Dikeman, is an American photographer.<\/p>\n
Francesca Todde \u2013 A Sensitive Education<\/h5>\n
Fortezza del Girifalco<\/strong><\/em><\/p>\nThis project, carried out between 2017 and 2019 in France, explores the possibilities of empathy between different natural species through the figure of the bird educator Tristan Plot.
\nFrancesca Todde, photographer and editor. She is co-founder of the publishing house D\u00e9part Pour l \u2018Image.<\/p>\n
Jon Henry \u2013 Stranger Fruit<\/h5>\n
Giardini del Parterre<\/strong><\/em><\/p>\nStranger Fruit is a series created in response to the senseless murders of black men in the United States due to police violence. Jon symbolically photographs mothers and children in their environment, like modern \u201cPiet\u00e0\u201d, reconstructing the condition in which we live by enduring this pain every day.
\nJon Henry, is a visual artist. With photographs of him she reflects on trauma and healing in the African American community.<\/p>\n
Alessandra Sanguinetti \u2013 An Everlasting Summer \u2013 The Adventures of Guille and Belinda<\/h5>\n
Palazzo Baldelli<\/strong><\/em><\/p>\nAlessandra Sanguinetti spent the summers of her childhood on her father\u2019s farm outside Buenos Aires in the countryside. On these trips she met Juana. In the following years she has been constantly visiting her. Among her visitors were her young nieces, Belinda and Guillermina, who later became the protagonists in her images.
\nAlessandra Sanguinetti, is a photographer who grew up in Argentina. You live in San Francisco (CA) and explore the themes of memory and psychological transitions.<\/p>\n
Andrea Mastrovito \u2013 NYsferatu \u2013 Symphony of a Century<\/h5>\n
Palazzo Baldelli<\/strong><\/em><\/p>\nNYsferatu is a rotoscope recreation of Nosferatu, a 1922 historical film by Friedrich W. Murnau, itself an adaptation of Bram Stoker\u2019s Dracula. In Andrea Mastrovito\u2019s version, each background scene has been entirely redesigned to set the film in today\u2019s New York City and Syria. The project challenges the classic interpretation of the vampire, seen here as the prototype of the outsider, while facing the many obstacles encountered by immigrants who often escape war and difficulties at home to face other challenges in the new country.
\nProduced by More Art.
\nAndrea Mastrovito, artist, director and author of books. His path focuses on drawing, alternating studio work with installation and performance interventions.<\/p>\n
Aurore Dal Mas \u2013 I Am Not Seen<\/h5>\n
Palazzo Baldelli<\/strong><\/em><\/p>\nIl film I Am Not Seen by Aurore Dal Mas tackles the question of the dehumanization and dematerialization of the world through the editing of a series of surveillance videos acquired online. When our need for protection and fear of death goes hand in hand with that of humanity, there is only a disturbing world traversed by a virtual voice whose thoughts are expressed with poetic subtitles.
\nAurore Dal Mas, explores relationships and physicality through photography, video, installations and writing.<\/p>\n
Catherine Leutenegger \u2013 New Artificiality \/ 3D Bioprinting<\/h5>\n
Palazzo Baldelli<\/strong><\/em><\/p>\nCatherine Leutenegger\u2019s project explores the potential of bioprinting and 3D printing applied to science and medicine. This technology could be used to create functioning human organs within a few decades. Leutenegger offers a point of view on some applications of use, putting us in front of the dilemma of how human beings will conceive themselves when the parts of the body can be 3D printed with ease and practicality.
\nCatherine Leutenegger, is a visual artist and photographer who explores digital technology and the materialization of the virtual world, even with unconventional tools.<\/p>\n
Federico Estol \u2013 Shine Heroes<\/h5>\n
Palazzo Baldelli<\/strong><\/em><\/p>\nThree thousand shoeshineers cross the streets of La Paz and El Alto (Bolivia) every day, looking for customers. What characterizes this \u201ctribe\u201d is the use of balaclavas used to avoid being recognized and discriminated against. Nobody knows they work as a shoe shine and this anonymity makes them stronger.
\nFederico Estol, is an Uruguayan photographer, artistic director of the San Jos\u00e9 Foto festival.<\/p>\n
Gabo Caruso \u2013 Cora\u2019s Courage<\/h5>\n
Palazzo Baldelli<\/strong><\/em><\/p>\n\u201cWhen I grow up I want to be a girl,\u201d Cora told her mother one night in 2014, before falling asleep. When I first met her, Cora was seven years old and had completed her social transition two autumns before her. Gabo Caruso\u2019s work offers a positive and intimate look and aims to tell the lesser known experiences of childhood.
\nGabo Caruso, a photojournalist and visual communicator, is interested in feminist and gender issues.<\/p>\n
Giovane Fotografia Italiana #08 \u2013 Reconstruction<\/h5>\n
Palazzo Baldelli<\/strong><\/em><\/p>\nDomenico Camarda, Alisa Martynova, Irene Fenara, Francesca Pili, Vaste Program, Martina Zanin, Elena Zottola
\nCurated by Ilaria Campioli and Daniele De Luigi<\/p>\n
Now in its eighth edition, Giovane Fotografia Italiana is a project dedicated to the discovery and enhancement of the best emerging talents of contemporary photography in Italy. Reconstruction explores the ways in which artists can combine photography and imagination to attempt a more authentic understanding of reality by breaking down and recomposing information and knowledge.<\/p>\n
GUARDARE OLTRE \u2013 MSF & MAGNUM \u2013 50 anni sul campo, tra azione e testimonianza<\/h5>\n
Palazzo Baldelli<\/strong><\/em><\/p>\nFor 50 years, the teams of Doctors Without Borders and Magnum photographers have met in the same scenarios \u2013 war zones, humanitarian crises, emergencies \u2013 narrating them with words and photography, always following the same principles of ethics and independence. This collaboration gave birth to both a narrative and a visual project, with the aim of telling stories of humanity on the occasion of MSF\u2019s 50th anniversary.<\/p>\n
Hannah Reyes Morales \u2013 Living Lullabies<\/h5>\n
Palazzo Baldelli<\/strong><\/em><\/p>\nLiving Lullabies sheds light on the role of lullabies and the critical issues faced by women and children through the multidisciplinary narrative of family nighttime rituals.
\nHannah Reyes Morales, is a photographer whose work documents the tenderness put into practice during adversity.<\/p>\n
Jo Ann Chaus \u2013 Conversations with Myself<\/h5>\n
Palazzo Baldelli<\/strong><\/em><\/p>\nConversations with Myself is a diary project that celebrates the joys and pathos of life, in all its moods. Jo Ann Chaus\u2019 goal is to create a work that reflects the phases of her life and the various roles adopted as a woman, and is focused on trying to understand herself in relation to the people and situations that surround her.
\nJo Ann Chaus, is an American photographer, lives in New York.<\/p>\n
Jonathan Torgovnik \u2013 Disclosure \u2013 Rwandan Children Born of Rape<\/h5>\n
Palazzo Baldelli<\/strong><\/em><\/p>\nWhat does it mean to be born as a result of a rape perpetrated during a genocide? And how do mothers who survived the violence they endured face their fate?
\nOn the occasion of the 25th anniversary of the genocide (2019), Torgovnik returned to Rwanda to photograph some of the families he had met twelve years earlier while working on a project on women raped as an instrument of war.
\nJonathan Torgovnik, is a photographer, Emmy Award-nominated director and educator.<\/p>\n
Laurence Rasti \u2013 There Are No Homosexuals in Iran<\/h5>\n
Palazzo Baldelli<\/strong><\/em><\/p>\nOn September 24, 2007 at New York\u2019s Columbia University, former Iranian President A\u1e25madine\u017e\u0101d said: \u201cThere are no homosexuals in Iran like in the United States\u201d. Homosexuality is still punished with the death penalty in Iran, so the only solution for homosexuals is to flee. Laurence Rasti questions the concept of gender identity and tries to give the fugitives back the face that Iran has stolen from them.
\nLaurence Rasti, was born in Switzerland to Iranian parents. With her photographs he explores the concepts of gender identity and beauty.<\/p>\n
Marco Garofalo \u2013 Energy Portraits<\/h5>\n
Palazzo Baldelli<\/strong><\/em><\/p>\nIn 2015, ensuring universal access to affordable, reliable, sustainable and modern energy sources became one of the United Nations\u2019 sustainable development goals to be achieved by 2030: SDG number 7 of the 2030 Agenda. Energy portraits portrays significant places where the global challenge of access to energy is underway.
\nMarco Garofalo, a photojournalist, works on social and cultural issues, mainly in the city of Milan and throughout Africa.<\/p>\n
Stephanie Gengotti \u2013 Circus Love \u2013 The Magical Life of Europe\u2019s Family Circuses<\/h5>\n
Palazzo Baldelli<\/strong><\/em><\/p>\nHappiness ONTHEMOVE 2019 winner<\/p>\n
Circus Love is a long-term project on the \u2018nouveau cirque\u2019, also known as the contemporary circus, started in 2016 and in which the author tells the story and daily life of six circus families. It is a joyful but powerful scream of rebellion to reaffirm the human dimension, to highlight the priority needs to recover the sense of sharing, of family and the need to rediscover the relationship with Nature.
\nStephanie Gengotti, is an Italian-French photographer living in Rome.<\/p>\n
Tim Franco \u2013 Unperson \u2013 Portraits of North Korean Defectors<\/h5>\n
Palazzo Baldelli<\/strong><\/em><\/p>\nThe people Tim Franco chose to photograph have disappeared from their Orwellian world: North Korea, for ideological reasons and often out of desperation. Escape follows different paths and the road to South Korea is dangerous. Once at your destination, adapting to a new society and a new life is often difficult.
\nTim Franco, is a Franco-Polish photographer. In 2016 he moved to South Korea and began working on a long-term project on North Korean defectors.<\/p>\n
Tomaso Clavarino \u2013 Padanistan<\/h5>\n
Palazzo Baldelli<\/strong><\/em><\/p>\nIn the last thirty years, in Italy, the term \u201cPadania\u201d has become part of everyday life. It refers to an area of Northern Italy that extends from the Alps to the Adriatic Sea. It is a territory that exists in the ideas of many, but which geographically, culturally and juridically remains indefinite. Padanistan is a project that investigates the identity of this \u201cnon-place\u201d.
\nTomaso Clavarino, is a photographer and director whose works are published by the main international magazines; at the same time he carries out many personal projects.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":7326,"menu_order":0,"template":"","event-categories":[391],"class_list":["post-7336","event","type-event","status-publish","has-post-thumbnail","hentry","event-categories-culture-events-cortona","event-organizers-associazione-culturale-on-the-move"],"yoast_head":"\n
Cortona On The Move 2021 | Events in Cortona<\/title>\n\n\n\n\n\n\n\n\n\n\n\n\t\n\t\n\t\n\n\n\t\n
L\u2019Altro is a developed work that reflects on the effects of the new coronavirus and social distancing.
\nPaolo Pellegrin, is an Italian photojournalist known worldwide. Since 2005 he has been a member of the Magnum Photos agency.<\/p>\n
Alec Soth \u2013 I Know How Furiously Your Heart is Beating<\/h5>\n
Fortezza del Girifalco<\/strong><\/em><\/p>\n Alec Soth\u2019s latest work is a poetic exploration of the limits of photographic representation and shows a new approach by the Magnum photographer to the subjects portrayed. The images, shot in color and in large format, were taken all over the world, but do not concern any particular place or population. Fortezza del Girifalco<\/strong><\/em><\/p>\n Finns have a special relationship with nature and people accustomed to sharing their daily life with domestic and wild animals have kept a special relationship with their \u201cfriends\u201d. This series shows the unique form of coexistence that occurs in Finland between humans and animals. Fortezza del Girifalco<\/strong><\/em><\/p>\n Curated by Arianna Rinaldo Come saremo \u2013 L\u2019Italia che ricostruisce offers a selection of photographs from the Intesa Sanpaolo Publifoto Archive edited by Arianna Rinaldo, artistic director of the festival, under the scientific supervision of Barbara Costa, head of the Intesa Sanpaolo Historical Archive. A dialogue in images that tells the rebirth of Italy after World War II, suggesting a parallelism with the post-pandemic situation we live today. A tale of optimism and hope.<\/p>\n Fortezza del Girifalco<\/strong><\/em><\/p>\n No Memory Is Ever Alone is a project that reflects on family memory and the concept of \u2018home\u2019. Catherine Panebianco superimposes the slides taken by her father with current photographs. With this gesture, the photographer establishes a connection between her family\u2019s past and her present, thus creating a place within a place, a memory within a memory. Fortezza del Girifalco<\/strong><\/em><\/p>\n The Leaving and Waving series is about family, aging and the pain of saying goodbye. For twenty-seven years Deanna took pictures while she greeted her parents before setting off again. Since 1991, she has continued to do so on every departure. Fortezza del Girifalco<\/strong><\/em><\/p>\n This project, carried out between 2017 and 2019 in France, explores the possibilities of empathy between different natural species through the figure of the bird educator Tristan Plot. Giardini del Parterre<\/strong><\/em><\/p>\n Stranger Fruit is a series created in response to the senseless murders of black men in the United States due to police violence. Jon symbolically photographs mothers and children in their environment, like modern \u201cPiet\u00e0\u201d, reconstructing the condition in which we live by enduring this pain every day. Palazzo Baldelli<\/strong><\/em><\/p>\n Alessandra Sanguinetti spent the summers of her childhood on her father\u2019s farm outside Buenos Aires in the countryside. On these trips she met Juana. In the following years she has been constantly visiting her. Among her visitors were her young nieces, Belinda and Guillermina, who later became the protagonists in her images. Palazzo Baldelli<\/strong><\/em><\/p>\n NYsferatu is a rotoscope recreation of Nosferatu, a 1922 historical film by Friedrich W. Murnau, itself an adaptation of Bram Stoker\u2019s Dracula. In Andrea Mastrovito\u2019s version, each background scene has been entirely redesigned to set the film in today\u2019s New York City and Syria. The project challenges the classic interpretation of the vampire, seen here as the prototype of the outsider, while facing the many obstacles encountered by immigrants who often escape war and difficulties at home to face other challenges in the new country. Palazzo Baldelli<\/strong><\/em><\/p>\n Il film I Am Not Seen by Aurore Dal Mas tackles the question of the dehumanization and dematerialization of the world through the editing of a series of surveillance videos acquired online. When our need for protection and fear of death goes hand in hand with that of humanity, there is only a disturbing world traversed by a virtual voice whose thoughts are expressed with poetic subtitles. Palazzo Baldelli<\/strong><\/em><\/p>\n Catherine Leutenegger\u2019s project explores the potential of bioprinting and 3D printing applied to science and medicine. This technology could be used to create functioning human organs within a few decades. Leutenegger offers a point of view on some applications of use, putting us in front of the dilemma of how human beings will conceive themselves when the parts of the body can be 3D printed with ease and practicality. Palazzo Baldelli<\/strong><\/em><\/p>\n Three thousand shoeshineers cross the streets of La Paz and El Alto (Bolivia) every day, looking for customers. What characterizes this \u201ctribe\u201d is the use of balaclavas used to avoid being recognized and discriminated against. Nobody knows they work as a shoe shine and this anonymity makes them stronger. Palazzo Baldelli<\/strong><\/em><\/p>\n \u201cWhen I grow up I want to be a girl,\u201d Cora told her mother one night in 2014, before falling asleep. When I first met her, Cora was seven years old and had completed her social transition two autumns before her. Gabo Caruso\u2019s work offers a positive and intimate look and aims to tell the lesser known experiences of childhood. Palazzo Baldelli<\/strong><\/em><\/p>\n Domenico Camarda, Alisa Martynova, Irene Fenara, Francesca Pili, Vaste Program, Martina Zanin, Elena Zottola Now in its eighth edition, Giovane Fotografia Italiana is a project dedicated to the discovery and enhancement of the best emerging talents of contemporary photography in Italy. Reconstruction explores the ways in which artists can combine photography and imagination to attempt a more authentic understanding of reality by breaking down and recomposing information and knowledge.<\/p>\n Palazzo Baldelli<\/strong><\/em><\/p>\n For 50 years, the teams of Doctors Without Borders and Magnum photographers have met in the same scenarios \u2013 war zones, humanitarian crises, emergencies \u2013 narrating them with words and photography, always following the same principles of ethics and independence. This collaboration gave birth to both a narrative and a visual project, with the aim of telling stories of humanity on the occasion of MSF\u2019s 50th anniversary.<\/p>\n Palazzo Baldelli<\/strong><\/em><\/p>\n Living Lullabies sheds light on the role of lullabies and the critical issues faced by women and children through the multidisciplinary narrative of family nighttime rituals. Palazzo Baldelli<\/strong><\/em><\/p>\n Conversations with Myself is a diary project that celebrates the joys and pathos of life, in all its moods. Jo Ann Chaus\u2019 goal is to create a work that reflects the phases of her life and the various roles adopted as a woman, and is focused on trying to understand herself in relation to the people and situations that surround her. Palazzo Baldelli<\/strong><\/em><\/p>\n What does it mean to be born as a result of a rape perpetrated during a genocide? And how do mothers who survived the violence they endured face their fate? Palazzo Baldelli<\/strong><\/em><\/p>\n On September 24, 2007 at New York\u2019s Columbia University, former Iranian President A\u1e25madine\u017e\u0101d said: \u201cThere are no homosexuals in Iran like in the United States\u201d. Homosexuality is still punished with the death penalty in Iran, so the only solution for homosexuals is to flee. Laurence Rasti questions the concept of gender identity and tries to give the fugitives back the face that Iran has stolen from them. Palazzo Baldelli<\/strong><\/em><\/p>\n In 2015, ensuring universal access to affordable, reliable, sustainable and modern energy sources became one of the United Nations\u2019 sustainable development goals to be achieved by 2030: SDG number 7 of the 2030 Agenda. Energy portraits portrays significant places where the global challenge of access to energy is underway. Palazzo Baldelli<\/strong><\/em><\/p>\n Happiness ONTHEMOVE 2019 winner<\/p>\n Circus Love is a long-term project on the \u2018nouveau cirque\u2019, also known as the contemporary circus, started in 2016 and in which the author tells the story and daily life of six circus families. It is a joyful but powerful scream of rebellion to reaffirm the human dimension, to highlight the priority needs to recover the sense of sharing, of family and the need to rediscover the relationship with Nature. Palazzo Baldelli<\/strong><\/em><\/p>\n The people Tim Franco chose to photograph have disappeared from their Orwellian world: North Korea, for ideological reasons and often out of desperation. Escape follows different paths and the road to South Korea is dangerous. Once at your destination, adapting to a new society and a new life is often difficult. Palazzo Baldelli<\/strong><\/em><\/p>\n In the last thirty years, in Italy, the term \u201cPadania\u201d has become part of everyday life. It refers to an area of Northern Italy that extends from the Alps to the Adriatic Sea. It is a territory that exists in the ideas of many, but which geographically, culturally and juridically remains indefinite. Padanistan is a project that investigates the identity of this \u201cnon-place\u201d.
\nAlec Soth, is a photographer who lives in Minneapolis (USA), and is a member of the Magnum Photos agency. He has published over twenty-five books.<\/p>\nAleksi Poutanen \u2013 Fellow Creatures<\/h5>\n
\nAleksi Poutanen, is a commercial and documentary photographer based in Helsinki, Finland. In his works she has a playful and surprising approach.<\/p>\nArchivio Publifoto Intesa Sanpaolo \u2013 Come saremo. L\u2019Italia che ricostruisce<\/h5>\n
\nScientific supervision: Barbara Costa
\nIconographic research: Maura Dettoni with Serena Berno and Silvia Cerri<\/p>\nCatherine Panebianco \u2013 No Memory Is Ever Alone<\/h5>\n
\nCatherine Panebianco, is an artist living in Jamestown, NY. With her work he captures memories and searches for the spirits of those we love.<\/p>\nDeanna Dikeman \u2013 Leaving and Waving<\/h5>\n
\nDeanna Dikeman, is an American photographer.<\/p>\nFrancesca Todde \u2013 A Sensitive Education<\/h5>\n
\nFrancesca Todde, photographer and editor. She is co-founder of the publishing house D\u00e9part Pour l \u2018Image.<\/p>\nJon Henry \u2013 Stranger Fruit<\/h5>\n
\nJon Henry, is a visual artist. With photographs of him she reflects on trauma and healing in the African American community.<\/p>\nAlessandra Sanguinetti \u2013 An Everlasting Summer \u2013 The Adventures of Guille and Belinda<\/h5>\n
\nAlessandra Sanguinetti, is a photographer who grew up in Argentina. You live in San Francisco (CA) and explore the themes of memory and psychological transitions.<\/p>\nAndrea Mastrovito \u2013 NYsferatu \u2013 Symphony of a Century<\/h5>\n
\nProduced by More Art.
\nAndrea Mastrovito, artist, director and author of books. His path focuses on drawing, alternating studio work with installation and performance interventions.<\/p>\nAurore Dal Mas \u2013 I Am Not Seen<\/h5>\n
\nAurore Dal Mas, explores relationships and physicality through photography, video, installations and writing.<\/p>\nCatherine Leutenegger \u2013 New Artificiality \/ 3D Bioprinting<\/h5>\n
\nCatherine Leutenegger, is a visual artist and photographer who explores digital technology and the materialization of the virtual world, even with unconventional tools.<\/p>\nFederico Estol \u2013 Shine Heroes<\/h5>\n
\nFederico Estol, is an Uruguayan photographer, artistic director of the San Jos\u00e9 Foto festival.<\/p>\nGabo Caruso \u2013 Cora\u2019s Courage<\/h5>\n
\nGabo Caruso, a photojournalist and visual communicator, is interested in feminist and gender issues.<\/p>\nGiovane Fotografia Italiana #08 \u2013 Reconstruction<\/h5>\n
\nCurated by Ilaria Campioli and Daniele De Luigi<\/p>\nGUARDARE OLTRE \u2013 MSF & MAGNUM \u2013 50 anni sul campo, tra azione e testimonianza<\/h5>\n
Hannah Reyes Morales \u2013 Living Lullabies<\/h5>\n
\nHannah Reyes Morales, is a photographer whose work documents the tenderness put into practice during adversity.<\/p>\nJo Ann Chaus \u2013 Conversations with Myself<\/h5>\n
\nJo Ann Chaus, is an American photographer, lives in New York.<\/p>\nJonathan Torgovnik \u2013 Disclosure \u2013 Rwandan Children Born of Rape<\/h5>\n
\nOn the occasion of the 25th anniversary of the genocide (2019), Torgovnik returned to Rwanda to photograph some of the families he had met twelve years earlier while working on a project on women raped as an instrument of war.
\nJonathan Torgovnik, is a photographer, Emmy Award-nominated director and educator.<\/p>\nLaurence Rasti \u2013 There Are No Homosexuals in Iran<\/h5>\n
\nLaurence Rasti, was born in Switzerland to Iranian parents. With her photographs he explores the concepts of gender identity and beauty.<\/p>\nMarco Garofalo \u2013 Energy Portraits<\/h5>\n
\nMarco Garofalo, a photojournalist, works on social and cultural issues, mainly in the city of Milan and throughout Africa.<\/p>\nStephanie Gengotti \u2013 Circus Love \u2013 The Magical Life of Europe\u2019s Family Circuses<\/h5>\n
\nStephanie Gengotti, is an Italian-French photographer living in Rome.<\/p>\nTim Franco \u2013 Unperson \u2013 Portraits of North Korean Defectors<\/h5>\n
\nTim Franco, is a Franco-Polish photographer. In 2016 he moved to South Korea and began working on a long-term project on North Korean defectors.<\/p>\nTomaso Clavarino \u2013 Padanistan<\/h5>\n
\nTomaso Clavarino, is a photographer and director whose works are published by the main international magazines; at the same time he carries out many personal projects.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":7326,"menu_order":0,"template":"","event-categories":[391],"class_list":["post-7336","event","type-event","status-publish","has-post-thumbnail","hentry","event-categories-culture-events-cortona","event-organizers-associazione-culturale-on-the-move"],"yoast_head":"\n